Unscripted: Green Zone Theater and the Shoe 
		Drama 
		By Ramzy Baroud
		ccun.org, December 30, 2008
		
 
The plot, so unexpectedly, thickened in Iraq on a Sunday 
		like no other. The two main actors - US President George W. Bush, and 
		Iraqi Prime Minister Nuri al-Maliki – took to the stage to perform 
		another well-rehearsed press conference. The scripts were ever so 
		predictable: Bush to tout the ‘progress’ achieved in Iraq, while al-Maliki 
		to express gratitude for the freedom bestowed on his country. Both men 
		were to caution from overstated optimism, and to forewarn of the great 
		challenges that are yet to come. The two partners were to shake hands, 
		smile and walk away. Things, however, didn’t go according to plan on 
		Sunday, December 14. 
 
A surprise appearance by till then 
		little-known Iraqi journalist Muntadhar al-Zaidi provided a most 
		unpredictable conclusion to the public performance regularly held in 
		Baghdad’s Green Zone theater. Every joint press conference of US and 
		Iraqi officials has, for years, concluded, more or less according to 
		plan. Since the toppling of President Saddam Hussein’s statue in 2003, 
		in a well orchestrated - Shakespearean even - series of events, until 
		that fateful Sunday, few have dared to violate the carefully prepared, 
		monotonous media appearances, which often end with a handshake, 
		unconvincing smiles, and the mutter of disgruntled journalists for 
		failing to land a last minute question. 
 
But al-Zaidi changed 
		all of that when he hurled his shoes at President Bush at the exact 
		moment the two main actors were scheduled to exit the stage - compelling 
		the US president to duck twice, astoundingly escaping the makeshift, but 
		largely symbolic weapon. Truth be told, Bush’s timely dodges, were as 
		impressive, as al-Zaidi’s seemingly impeccable pitches. 
 
Much 
		has been said of al-Zaidi’s daring act, which will indeed secure a 
		permanent footnote in history books for an Iraqi man’s footwear. Stories 
		are told of poems, computer games and artwork idealizing al-Zaidi’s 
		shoes; and a rich Arab has reportedly offered millions of dollars for 
		the pair of shoes that were meant as a “farewell kiss” to Bush. While 
		most Americans are likely to remember Bush’s legacy as that of a man who 
		has guided a nation into unprecedented economic mayhem, Iraqis, and 
		others, will remember him as a brutal, self-righteous zealot, who 
		invited untold bloodshed, humiliation and the destruction of a once a 
		magnificent and leading civilization. 
 
According to the US 
		government’s logic, Iraq is now better off than ever before. As for the 
		millions of lives that have been unjustly taken, and the millions of 
		Iraqis on the run, their plight is a worthy price for freedom and 
		democracy, precious US commodities that apparently come at a heavy 
		price. Americans and the sanctioned Iraqi government are never to blame 
		for any wrong doing. Iraq’s tragedy is always someone else’s fault, but 
		largely the making of elusive terrorists, whose identities and sources 
		of funds change according to whatever Washington’s political mood 
		dictates. The insurgents, as they were called until recently, were 
		initially remnants of and Ba’ath Party loyalists, disgruntled Sunnis, 
		then they morphed into foreign fighters, then they were depicted as 
		al-Qaeda sympathizers, copy-cats, then al-Qaeda itself, then Iranian 
		agents in cahoots with rogue Shitte militants loyal to whatever 
		character doesn’t suit the interests of the US and its allies. New 
		characters were occasionally added to the Green Zone’s ever predictable 
		play, unwanted characters were swiftly removed, and the play’s language 
		was repeatedly rewritten.
 
Then al-Zaidi showed up and hurled his 
		shoes at a grinning Bush, who just finished shaking al-Maliki’s hand and 
		was ready to conclude his own ominous chapter in Iraq, one filled with 
		lies, deceit, and the blood of many people, in fact too many to count.
		
 
As al-Zaidi was being overpowered, then dragged away by Iraqi 
		security - who must’ve tried to impress their American security 
		‘counterparts’ by teaching the poor al-Zaidi a lesson in good manners, 
		Abu Ghraib-style – the script writers, and stage directors and actors 
		were likely to have been summoned to discuss what CNN described as a 
		‘security breach,’ but what should be more accurately described as a 
		deviation from the script. Their orders were straightforward and 
		seemingly simple: to create a parallel reality to the anti-occupation 
		fervor and bloodbath outside, by staging a play of few actors that 
		depicts the occupier as a friendly, obliging outsider, violence against 
		the Iraqi people as a war on terror on behalf of the Iraqi people, 
		governmental corruption as a fostering process of democracy and good 
		governance, and so on. Naturally, the moment that al-Zaidi flung his 
		shoes at cowering Bush, a new, although haphazard play was drafted, 
		mixing the painful reality outside the Green Zone, with the comforting, 
		imagined reality inside. If the al-Zaidi episode is to be credited in 
		one thing, it should be for tossing up the terminology of the two 
		stages. Bush was called “dog” by angry Iraqis for years, but not in a 
		press conference. Iraqis mourned their dead, cried for their orphans and 
		widows, millions of them, outside and Green Zone, but never inside. An 
		Iraqi man, Muntadhar al-Zaidi, in a seemingly fleeting moment, changed 
		everything. 
 
What also confused the script is that al-Zaidi was 
		not al-Qaeda, or an al-Qaeda sympathizer, not a foreign fighter, not a 
		member of the dissolved Ba’ath Party, nor was he affiliated with it in 
		any way, and not even an Iraqi Sunni, for any such affiliation would fit 
		perfectly in the political and media scripts that would demonize the man 
		as an enemy of the Iraqi people, stability, democracy, freedom, and the 
		rest of the redundant clichés. Al-Zaidi is simply an Iraqi man who has, 
		as a journalist, highlighted the suffering of his people as politely, 
		‘objectively’ and ‘professionally’ as he could, and when he could no 
		longer tolerate the lies told in the Green Zone’s ever malicious drama, 
		he scrapped the script altogether, chucking his shoes at the main actor: 
		This is a farewell kiss, you dog! This is from the widows, the orphans 
		and those who were killed in Iraq.” His words, although uttered for the 
		first time in the Green Zone theater, echoed the voices of millions of 
		Iraqis outside, who have chanted these words, for six long, tragic 
		years.
 
-Ramzy Baroud (www.ramzybaroud.net) 
		is an author and editor of PalestineChronicle.com. His work has been 
		published in many newspapers, journals and anthologies around the world. 
		His latest book is The Second Palestinian Intifada: A Chronicle of a 
		People's Struggle (Pluto Press, London). 
        
		
      
      
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