Israel's Current Effort of Re-Branding Oppression
      
		
        By John Chuckman
		ccun.org, November 12, 2008
		
        
 
There has been an ad on television recently, one featuring a 
		young couple walking or drifting into a place of enchantment, a warm and 
		colourful fantasy world, a kind of biblical Disneyland. Every step of 
		their brief journey is met by people smiling warmly, moving slowly, even 
		bowing, greeting them at each turn with Shalom!
 
It is 
		interesting that all the faces in the ad are the same kind of faces we 
		might see in New York or London, except that here they are all bathed in 
		glowing antique light. We see no harsh fundamentalist types cutting down 
		someone else’s olive groves and cursing anyone, even other Jews, as 
		interlopers. We certainly see no arrogant settlers, strutting around 
		with machine guns, sneering at the camera.
 
The couple quick-cuts 
		their way through pleasant scene after scene – images of ancient 
		middle-eastern streets and buildings and finally a man watering a 
		garden, back-lighted by sun so that each drop he sprays is seen like 
		blessing making the desert bloom.
 
We see no check-points 
		bristling with guns, no razor-wire, no concrete wall dwarfing Berlin’s 
		fabled one. We see no Palestinians, indeed, no one resembling an Arab. 
		We see no endless line-ups at check points with poor people waiting 
		around for hours just to do the business of their lives or go to 
		hospital. We hear no soldiers cursing and abusing them.
 
We see 
		no images of the giant open-air prison that is Gaza nor the slow, 
		inhumane siege that grips the place night and day, making it close to 
		impossible for a million and a half souls to cloth themselves and eat 
		and enjoy basic amenities. We certainly see no Hellfire missiles 
		incinerating people as one did just the other day, murdering six without 
		a hint of legality.
 
No, there’s the handsome young couple 
		briefly, dreamily drifting through sunny fantasy, the woman with lovely, 
		frizzled long red hair glowing in the sun.
 
That last image of 
		the smiling man sprinkling a sun-filled patch of garden reminded me of 
		another piece of film, an historical oddity recently brought to light.
		
 
The other film was similar in many respects despite being 70 
		years old and in black and white. It was done for similar purposes. It 
		was made on the occasion of Germany’s upcoming Olympic Games in 1936, 
		and the satanic genius of marketing, Joseph Goebbels, saw the need to 
		reassure visitors about Germany’s treatment of the Jews.
 
You 
		see, while the Holocaust was years away in 1936, and even the murders 
		and burning and pillaging of Kristallnacht were yet two years away, 
		there still had been a lot of ugly and brutal behavior towards Germany’s 
		Jews, generating nasty press coverage abroad. The Nazis were concerned 
		lest the “bad press” keep tourists away from what was planned as the 
		most grandiose Olympics to date.
 
The old film offers a fantasy 
		version of the Nazis’ treatment of German Jews. It shows a happy village 
		of re-located Jews with people walking about and looking pleasant and 
		doing pleasant things. In particular, there is a scene of Jews carrying 
		huge watering cans, happily sprinkling large, lush gardens. Well, the 
		film is inferior in quality to the 2008 film from Israel, three-quarters 
		of a century later, but one could be excused for thinking that someone 
		in Israel got his or her inspiration from Dr. Goebbels’ film.
 
		But maybe not: like conditions tend to breed like ideas and actions, 
		over and over again across nations and eras. History is regularly 
		forgotten, its main stories re-staged with new directors and lists of 
		characters, and rarely have I seen a more striking example than 
		Israel’s current re-branding effort.  
 
Now, a new 
		ad has appeared, this one with visiting children going through a 
		different sequence of glowing images. Gone is the woman with the red 
		hair. A series of ads may always have been intended, but I couldn’t help 
		thinking perhaps the ad with the beautiful red hair had been pulled 
		because it reminded too many viewers of 
		Rachel Corrie. She was a real visitor to Israel, a 
		sweet-tempered, innocent young woman, and she had strawberry-blond hair, 
		at least before she was rendered into pulp by an Israeli D-9 armored 
		bulldozer, diverted momentarily in its work of smashing Arab homes.
 
		That’s not the kind of image you want in your re-branding effort for 
		sure.
 
		
		
      
      
      
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